Untitled: 60 x 48, mixed media on canvas. Large-scale abstract painting by Christopher Durst featuring layered symbols, textured surfaces, and expressive forms exploring memory, movement, and atmosphere.
Untitled: 60 x 48, mixed media on canvas. Large-scale abstract painting by Christopher Durst featuring layered symbols, textured surfaces, and expressive forms exploring memory, movement, and atmosphere.

Abstraction With Volume.
by Christopher Durst

Large scale abstraction informed by music, movement, and lived experience.

Most of my paintings begin without a fixed outcome. I work through instinct, layering, and response, allowing each piece to develop naturally rather than following a predetermined plan.

I'm less interested in representation than presence. Memory, tension, and movement often surface through the process itself, shaping the atmosphere of the work as it evolves.

Featured Work

Residual Memory by Christopher Durst, a large-scale abstract painting exploring memory, movement, and atmosphere through layered symbolism and texture. 60 x 48 in, Mixed media on canvas.
Residual Memory by Christopher Durst, a large-scale abstract painting exploring memory, movement, and atmosphere through layered symbolism and texture. 60 x 48 in, Mixed media on canvas.

RESIDUAL MEMORY
60 × 48 in
Mixed media on canvas


View All Works

Transmission by Christopher Durst, a large-scale abstract painting exploring communication, connection, and perception through symbolic forms and layered mark-making. 60 x 48 in, Mixed media on canvas.
Transmission by Christopher Durst, a large-scale abstract painting exploring communication, connection, and perception through symbolic forms and layered mark-making. 60 x 48 in, Mixed media on canvas.

The Work

I am interested in the space where order begins to break down and something more instinctive takes over. I am drawn to the traces people leave behind, the emotions attached to places, and the experiences that stay with us long after they have ended. A conversation, a crowded venue, a city at night, or a fleeting moment can leave an impression that lingers for years.

Rather than translating those experiences literally, I build paintings through accumulation and response. Layers are added, obscured, and reworked over time, allowing unexpected relationships to emerge across the surface. Symbols, textures, and gestures become a way of processing observation, memory, and feeling, creating work that remains open, evolving, and deeply connected to lived experience.

Before The Canvas

Before painting, I spent years documenting music culture from inside the movement itself, chasing atmosphere, energy, and the moments that existed somewhere between chaos and connection.

Mike Ness of Social Distortion performing live with his iconic Lucky 13 Gibson Les Paul guitar. Black-and-white concert photography capturing a close-up view of the legendary instrument on stage.
Mike Ness of Social Distortion performing live with his iconic Lucky 13 Gibson Les Paul guitar. Black-and-white concert photography capturing a close-up view of the legendary instrument on stage.
BP Fallon & The Bandits during an album cover photoshoot featuring BP Fallon, Nigel Harrison and Clem Burke of Blondie, and guitarist Aaron Lee Tasjan. Black-and-white music photography documenting a collaborative rock and roll project.
BP Fallon & The Bandits during an album cover photoshoot featuring BP Fallon, Nigel Harrison and Clem Burke of Blondie, and guitarist Aaron Lee Tasjan. Black-and-white music photography documenting a collaborative rock and roll project.
A large outdoor music festival stage with a crowd in front. The stage features banners reading 'Austin City Limits Music Festival' and has instruments and musicians performing. The crowd is dense with some holding signs and flags, and the background shows historic buildings.
A large outdoor music festival stage with a crowd in front. The stage features banners reading 'Austin City Limits Music Festival' and has instruments and musicians performing. The crowd is dense with some holding signs and flags, and the background shows historic buildings.
Willie Nelson recording music in a professional studio. Black-and-white documentary photograph capturing the legendary songwriter during the creative process.
Willie Nelson recording music in a professional studio. Black-and-white documentary photograph capturing the legendary songwriter during the creative process.

The Same Instinct

The photographs above come from years spent documenting music culture. Life on the road, backstage, and inside crowded venues shaped the way I think about atmosphere, movement, and human connection. While the camera eventually gave way to canvas, many of those influences continue to find their way into the work.

Different mediums. The same pursuit.

Select works are available for acquisition.

Debutante Graffiti II & III by Christopher Durst, large-scale abstract diptych featuring layered symbols, texture, and contemporary visual language. Each 60 x 48 in, mixed media on canvas.
Debutante Graffiti II & III by Christopher Durst, large-scale abstract diptych featuring layered symbols, texture, and contemporary visual language. Each 60 x 48 in, mixed media on canvas.

Let’s start a conversation.

Whether you’re interested in a commissioned work, exhibition opportunity, creative collaboration, or cultural project, use the form below to share your vision, ideas, and direction. Every project begins through dialog, atmosphere, and shared intention.